THE BEST SIDE OF CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

The best Side of Charlie Chaplin's "The Circus" (1928)

The Buster Keaton character has his toes on the bottom. He would be embarrassed to parade his goodness. He works by using ingenuity in lieu of divinity. Chaplin’s untidy like life suggests he felt he deserved whomever he desired; Keaton in personal existence appears to are melancholic thanks to alcoholism, but an honest enough sort with Ladies.Wh

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